What to play after Singode: Belinde, H.695, Wq.112, no. 14 ?
Carl Philipp Emanuel Bach · difficulty 28/100

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Gentle step

The safest next step.

Gentle
Sonatina Op.20 No.1
Friedrich Kuhlau
32/100 +4 pts 3-6 weeks
close skills low risk to confirm
A short step up, staying in Elementary (around grade 4 ABRSM/RCM). New compared with the previous piece: Indépendance des mains and Style classique — practise it slowly and hands separately before any attempt at tempo: that is where tension builds up.
Gentle
Solfeggio in C minor, Wq.117, no. 2
Carl Philipp Emanuel Bach
34/100 +6 pts 3-6 weeks
close skills low risk to confirm
A short step up, staying in Elementary (around grade 4 ABRSM/RCM). New compared with the previous piece: Gammes et arpèges and Style classique — practise it slowly and hands separately before any attempt at tempo: that is where tension builds up.
Gentle
Solfeggio in G major, H.145, Wq.112, no. 4
Carl Philipp Emanuel Bach
35/100 +7 pts 3-6 weeks
close skills low risk to confirm
A short step up, staying in Elementary (around grade 4 ABRSM/RCM). New compared with the previous piece: Gammes et arpèges and Style classique — practise it slowly and hands separately before any attempt at tempo: that is where tension builds up.
Gentle
Andante in G minor, Hob.XVI:11/II
Franz Joseph Haydn
35/100 +7 pts 3-6 weeks
close skills low risk to confirm
A short step up, staying in Elementary (around grade 4 ABRSM/RCM). The skill that will carry the work: Style classique and Connaissance des formes — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Gentle
5 Contredances and quadrille for keyboard, Hob.IX:29
Franz Joseph Haydn
35/100 +7 pts 3-6 weeks
close skills low risk to confirm
A short step up, staying in Elementary (around grade 4 ABRSM/RCM). The skill that will carry the work: Style classique and Connaissance des formes — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Same level

To widen the repertoire without raising the level.

Progressions computed from difficulty, skill overlap and style between works. A What do we play next? recommendation should remain a pedagogical starting point, not an automatic prescription.