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Public-domain sheet music on IMSLP ↗
Official level, taken from the exam syllabus.
Other syllabi : Trinity_London Grade 4 · RCM Grade 4
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This Sonatina sounds breezy and sprightly, requiring a light, detached touch and clear call-and-response phrasing that feels more dance-like than deeply lyrical. You will specifically work on Connaissance des formes (3.8/5) — you must identify exposition, development and recapitulation to time repeats and dynamic shaping — and Indépendance des mains (2.5/5), where the right hand carries the tune while the left keeps a steady accompaniment; practically that means keeping the melody legato and prominent while holding the left-hand chords more neutral. The piece belongs to Kuhlau's pedagogical output, intended to train core skills in a classical / early-romantic idiom rather than to stand as a major innovative work in his catalogue.