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Play — Johann Sebastian Bach (spurious) – St. Luke Passion, BWV 246 · SP's score videos (the player loads on click)
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Play — St. Luke Passion, BWV 246 Anh. II 30, Pt. 1: Furcht und Zittern, Scham und Schmerzen · Johann Sebastian Bach, Bremen Baroque Orchestra, Wolfgang Helbich (the player loads on click)
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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This rating is computed automatically from heterogeneous sources. It gets things wrong, sometimes badly. If you know this work, your answer is worth more than our computation: it tells us which ratings to review.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
The piece presents a solemn, narrative atmosphere, alternating broad choral-like statements and more intimate, meditative episodes even in this piano solo transcription. Key technical challenges include Bass clef reading (Lecture clé de fa, 2.5/5), which here requires tracking independent lower voices and exact left-hand shifts to preserve the polyphonic line, and Dynamics (Nuances, 2.5/5), demanding subtle control of dynamic contrasts and pedaling to separate voices and maintain harmonic clarity. This is a Passion associated with the Bach repertoire and belongs to the tradition of large-scale sacred Passion works, adapted here for solo piano rather than its original choral/orchestral forces. I do not list reference recordings because I am not fully certain of a widely recognized piano rendition for this specific work.