Official level, taken from the exam syllabus.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This Alborada creates a lively, percussive mood, like a dry, incisive Spanish dance with sharp accents and bright figurations requiring attack and clarity. Technically, the Passages rapides (4.8/5) here demand economical motion and very clean finger alternation to maintain evenness and transparency, and the Croisements de mains (4.8/5) require tight arm coordination and precise spatial awareness so one hand can cross without disturbing the balance of registers. It is the fourth piece of the Miroirs cycle, presented as a contrasting tableau within Ravel’s piano works. I do not give a reference interpretation because I am not 100% certain of a single widely recognized recording for this specific piece.