Official level, taken from the exam syllabus.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
Ondine evokes shimmering, ever-changing water: flowing arpeggios and gestures that make the melody sing above a restless bed of harmonies rather than a static accompaniment. You will need to focus especially on Croisements de mains (4.8/5), where right- and left-hand crossings frequently occur and must keep the melodic line clear while preserving arpeggio flow, and on Passages rapides (4.8/5), which require precise finger control and rhythmic steadiness so the rapid runs remain transparent; the practical gesture is to break phrases into small relaxed transfers rather than forced stretching. This piece is the opening movement of the piano cycle Gaspard de la Nuit and holds a prominent place in Ravel’s piano output as a pictorial and virtuosic challenge.