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Play — Lang Lang plays Chopin Etude Op.10 No.3 in E Major at The Berlin Philharmonic. · MusicClassical1 (the player loads on click)
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Play — Études, Op. 10: No. 3, Étude in E Major "Tristesse" · Frédéric Chopin, Henrik Måwe (the player loads on click)
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Public-domain sheet music on IMSLP ↗
Official level, taken from the exam syllabus.
Other syllabi : Trinity_London Grade 7 · LCM Grade 7
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This rating is computed automatically from heterogeneous sources. It gets things wrong, sometimes badly. If you know this work, your answer is worth more than our computation: it tells us which ratings to review.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
The piece unfolds a singing, wistful character, alternating broad lyrical phrases with moments where the melody clearly projects above the accompaniment. You will especially work on Nuances (4.8/5) — here you must shape very subtle dynamic gradations within long phrases without breaking the line — and Legato (4.8/5), which requires weight transfer and precise finger-to-finger connection with arm support to keep the line continuous and breathing. The work belongs to Chopin's Études Op.10 and occupies a place in his catalogue as an étude where poetic expressivity is used to develop refined pianistic technique. (No specific interpretation reference is given to avoid risking inaccurate attribution.)