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Play — Seong-Jin Cho – Etude in C major Op. 10 No. 1 (first stage) · Chopin Institute (the player loads on click)
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Play — Études, Op. 10: No. 3, Étude in E Major "Tristesse" · Frédéric Chopin, Henrik Måwe (the player loads on click)
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Official level, taken from the exam syllabus.
Other syllabi : RCM Grade 10
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This étude projects a bright, airy character in which a continuous stream of right-hand arpeggios creates a sense of upward clarity rather than a sustained lyrical phrase. Technically, you will be confronted chiefly with Gammes et arpèges (5.0/5) — requiring wrist rotation and redistribution of the fingers to preserve a legato line across wide right-hand positions — and Passages rapides (5.0/5), which call for finger independence and rhythmic control to keep evenness and clarity at high speed. The piece belongs to Chopin's Op.10 études, important works in his catalogue designed to target specific pianistic challenges while remaining musically complete. I omit naming reference recordings here out of caution unless I can be certain of a single widely recognized interpretation for this exact étude.