Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This G major sonata feels bright and nimble, alternating jaunty, percussive figures with brief lyrical surges that call for steady rhythmic clarity rather than Romantic sweep. You'll need to focus on Analysis harmonique (3.6/5) to anticipate chordal shifts and shape phrases into their cadences, and on Baroque ornaments (3.1/5), which require short, controlled attacks and close finger–wrist coordination for clean mordents and small trills so the rhetoric remains idiomatic. It belongs to Scarlatti's baroque keyboard sonata output, typical of his many single-movement pieces that prioritize rhythmic invention and idiomatic keyboard writing. I do not provide a performance recommendation here because I am not 100% certain of a single definitive recording for this exact sonata.