Official level, taken from the exam syllabus.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This D major sonata projects a lively, bright character with crisp rhythmic drive and quick figurations that feel more dance-like and alert than reflective. Technically, pay attention to Analyse harmonique (3.6/5): you must convey the rapid progressions and cadences through touch, anticipating accompanying lines to preserve clarity of the voices; and to Ornements baroque (3.1/5): clean execution of ornaments (short appoggiaturas, mordents) requires quick, responsive fingers and precise control of onset and release. As a Baroque keyboard sonata, it belongs to Scarlatti's corpus of short, contrasting sonatas that showcase his fondness for sharp contrasts and virtuosic keyboard effects.