Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
The Sonata in A major K.113 has a bright, sprightly character with concise, sparkling figures and call-and-response figures that require crisp articulation rather than romantic largesse. You will face concrete technical issues in Analysis harmonique (3.6/5): you need to quickly identify modulations and shape phrases so harmonic progressions read clearly, and in Baroque Ornaments (3.1/5): executing small embellishments (mordents, short appoggiaturas) requires controlled wrist and finger motion to keep the pulse steady without smothering the line. The piece belongs to the Baroque period and is part of Scarlatti's large body of single-instrument keyboard sonatas, often conceived as short studies in style and technique. I do not provide a recommended recording here because I am not fully certain which interpretation is universally recognized as a reference for this specific sonata.