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Play — J.S. Bach (1685 - 1750): "Herzliebster Jesu, was hast du verbrochen" BWV 1093 - Walter Gatti, organ · ignisetaeris (the player loads on click)
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Public-domain sheet music on IMSLP ↗
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This piece unfolds a restrained, introspective mood with chorale-like lines that call for a full, sustained tone rather than instrumental brilliance; the atmosphere is meditative and almost vocal, with rests shaping the tension. You will face specifically Reading bass clef (Lecture clé de fa) (3.1/5), which here requires confident reading of the left hand in bass clef to keep the bass line fluid and to manage shifts in the low register without breaking continuity, and Baroque ornaments (Ornements baroque) (3.1/5), where executing mordents and short embellishments with precise finger control and connected touch is necessary to preserve the inner rhythm. As a Baroque work, it belongs to Bach’s chorale and contrapuntal practice and functions as an intimate keyboard rendering of liturgical material. I do not provide a reference performance here because I am not 100% certain of a single widely recognized recording for this specific arrangement.