Official level, taken from the exam syllabus.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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The safest next step.
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This A minor sonata feels brisk and pointed, with sharp exchanges and compact ideas that call for rhythmic clarity rather than expansive Romantic phrasing. Technically you will face specifically “Analysis harmonique (3.6/5),” which here means identifying and bringing out sequences and cadences so your voicing and dynamic choices shape the phrases, and “Ornements baroque (3.1/5),” requiring precise execution of ornaments with controlled finger release so appoggiaturas and trills fit cleanly into the pulse. The piece belongs to the Baroque period and is part of Scarlatti’s large body of short keyboard sonatas that explore concentrated keyboard idioms. I do not provide a recommended recording because I’m not certain of a single widely recognized reference for this particular sonata.