The grade scale stops at 8; this work belongs to concert or diploma repertoire.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This large-scale fantasy has a theatrical, dramatic drive: bold, heroic chordal passages alternate with lyrical cantilenas and sparkling cadenzas, requiring constant dramatic projection. You will need to focus on Tempo rubato (3.1/5) — here that means shaping small hesitations and delays to serve the musical line without upsetting the underlying accompaniment, so the left hand must maintain pulse while the right hand stretches — and Sustain pedal (Pédale de sustain) (3.1/5), which requires precise pedal changes to keep motifs clear while supporting the Romantic sonorities. The piece belongs to Liszt’s line of opera paraphrases and sits among his virtuosic Romantic showpieces that transform operatic themes for solo piano. I do not give a recommended recording here to avoid risking an incorrect attribution.