What to play after 12 Piano Variations on “Ah, vous dirai-je Maman” K. 265 (300e) ?
Wolfgang Amadeus Mozart · difficulty 49/100

Choose your level of commitment: consolidate, move up a tier or prepare a challenge. The top-ranked cards combine difficulty, risk, shared skills and confidence.

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Gentle step

The safest next step.

Gentle
8 Piano Variations on "Come un'agnello" K. 460 (454a)
Wolfgang Amadeus Mozart
54/100 +5 pts 5-10 weeks
close skills low risk to confirm
A short step up, staying in Intermediate (around grade 6 ABRSM/RCM). The skill that will carry the work: Connaissance des formes and Style classique — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.
Gentle
12 Piano Variations on the Romance "Je suis Lindor" K. 354 (299a)
Wolfgang Amadeus Mozart
54/100 +6 pts 5-10 weeks
close skills low risk to confirm
A short step up, staying in Intermediate (around grade 6 ABRSM/RCM). New compared with the previous piece: Lecture avec altérations accidentelles and Connaissance des formes — reading the score is itself an obstacle before technique: budget time for plain reading.
Gentle
Romance avec 12 variations in G, H.226, Wq.118, no. 6, "Colin a peine à seize ans"
Carl Philipp Emanuel Bach
55/100 +6 pts 5-10 weeks
close skills low risk to confirm
A short step up, staying in Intermediate (around grade 6 ABRSM/RCM). New compared with the previous piece: Voix chantante and Connaissance des formes — the notes will be secure long before the musical line: work in whole phrases, singing the main voice.
Gentle
Variations on the theme Gott erhalte den Kaiser
Franz Joseph Haydn
55/100 +6 pts 5-10 weeks
close skills low risk to confirm
A short step up, staying in Intermediate (around grade 6 ABRSM/RCM). The skill that will carry the work: Connaissance des formes and Style classique — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.
Gentle
Mein junges Leben hat ein End, SwWV 324, variations
Jan Pieterszoon Sweelinck
55/100 +6 pts 5-10 weeks
close skills low risk to confirm
A short step up, staying in Intermediate (around grade 6 ABRSM/RCM). The skill that will carry the work: Connaissance des formes — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.
Balanced step

A genuine step up, without a jolt.

Balanced
Piano Sonata B flat major K. 570
Wolfgang Amadeus Mozart
59/100 +11 pts 10-20 weeks
close skills moderate risk to confirm
Next piece in the same collection, Intermediate (around grade 6 ABRSM/RCM): the order its editor chose, a progression already tested. New compared with the previous piece: Indépendance des mains and Connaissance des formes — practise it slowly and hands separately before any attempt at tempo: that is where tension builds up.
Balanced
Allegretto with 6 Variations in C major, H.65, Wq.118, no. 5
Carl Philipp Emanuel Bach
60/100 +11 pts 12-24 weeks
close skills moderate risk to confirm
A real step up, staying in Intermediate (around grade 6 ABRSM/RCM). The skill that will carry the work: Connaissance des formes and Style classique — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.
Balanced
12 Variations on La folia d'Espagne, H.263, Wq.118, no. 9
Carl Philipp Emanuel Bach
61/100 +12 pts 12-24 weeks
close skills moderate risk to confirm
A real step up, staying in Intermediate (around grade 7 ABRSM/RCM). New compared with the previous piece: Passages rapides and Balance mains — practise it slowly and hands separately before any attempt at tempo: that is where tension builds up.
Balanced
12 Piano Variations on an Allegretto K. 500
Wolfgang Amadeus Mozart
57/100 +9 pts 10-20 weeks
close skills moderate risk to confirm
A real step up, staying in Intermediate (around grade 6 ABRSM/RCM). The skill that will carry the work: Connaissance des formes and Style classique — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.
Same level

To widen the repertoire without raising the level.

Progressions computed from difficulty, skill overlap and style between works. A What do we play next? recommendation should remain a pedagogical starting point, not an automatic prescription.