Repertoire › Minuet (Nannerl Music Book) K. 1f › What to play next
What to play after Minuet (Nannerl Music Book) K. 1f ?
Wolfgang Amadeus Mozart · difficulty 19/100

Choose your level of commitment: consolidate, move up a tier or prepare a challenge. The top-ranked cards combine difficulty, risk, shared skills and confidence.

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Gentle step

The safest next step.

Gentle
Minuet in G major WoO.10 No.2
Ludwig van Beethoven
25/100 +6 pts 2-4 weeks
partial transfer low risk to confirm
A short step up, staying in Beginner (around grade 3 ABRSM/RCM). The demand here is musical rather than mechanical: Phrasé — the notes will be secure long before the musical line: work in whole phrases, singing the main voice.
Gentle
Minuet in G major K.15c
Wolfgang Amadeus Mozart
25/100 +6 pts 2-4 weeks
partial transfer low risk to confirm
A short step up, staying in Beginner (around grade 3 ABRSM/RCM). The skill that will carry the work: Lecture à vue — keep it up with daily reading of easy pieces rather than grinding one passage.
Gentle
Waltz Op.39 No.8
Pyotr Ilyich Tchaikovsky
23/100 +4 pts 2-4 weeks
partial transfer low risk to confirm
A short step up, staying in Beginner (around grade 2 ABRSM/RCM). The skill that will carry the work: Rythme général — the pitfall is the pulse drifting as soon as the writing thickens: subdivide with the metronome.
Gentle
Minuet I in D and II in D minor
George Frideric Handel
25/100 +6 pts 2-4 weeks
partial transfer low risk to confirm
A short step up — but it is the one that moves you into Elementary (around grade 3 ABRSM/RCM). New compared with the previous piece: Style baroque and Ornements baroque — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Gentle
Minuet C major K. 61gII
Wolfgang Amadeus Mozart
25/100 +7 pts 2-4 weeks
close skills low risk to confirm
A short step up — but it is the one that moves you into Elementary (around grade 3 ABRSM/RCM). New compared with the previous piece: Caractère et style — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Balanced step

A genuine step up, without a jolt.

Balanced
Minuet in G and Trio in E minor, Hob.XVI:11/III
Franz Joseph Haydn
28/100 +9 pts 4-8 weeks
partial transfer moderate risk to confirm
A real step up: this piece moves you into Elementary (around grade 3 ABRSM/RCM). New compared with the previous piece: Style classique and Connaissance des formes — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Balanced
Minuet III from the Notebook for W. F. Bach G major BWV 843
Johann Sebastian Bach
27/100 +8 pts 4-8 weeks
partial transfer moderate risk to confirm
A real step up: this piece moves you into Elementary (around grade 3 ABRSM/RCM). The demand here is musical rather than mechanical: Nuances — the notes will be secure long before the musical line: work in whole phrases, singing the main voice.
Balanced
Minuet II from the"Notebook for W. F. Bach g minor BWV 842
Johann Sebastian Bach
27/100 +8 pts 4-8 weeks
partial transfer moderate risk to confirm
A real step up: this piece moves you into Elementary (around grade 3 ABRSM/RCM). The demand here is musical rather than mechanical: Nuances — the notes will be secure long before the musical line: work in whole phrases, singing the main voice.
Balanced
Allegro (Nannerl Music Book) K. 9a (5a)
Wolfgang Amadeus Mozart
27/100 +8 pts 4-8 weeks
close skills moderate risk to confirm
A real step up: this piece moves you into Elementary (around grade 3 ABRSM/RCM). The skill that will carry the work: Lecture à vue — keep it up with daily reading of easy pieces rather than grinding one passage.
Ambitious challenge

A useful leap with guided practice.

Challenge
Minuet in D major, K.355
Wolfgang Amadeus Mozart
35/100 +16 pts 12-24 weeks
partial transfer high risk to confirm
An ambitious leap into Elementary (around grade 4 ABRSM/RCM) — only worth starting if the practice time is really there. New compared with the previous piece: Connaissance des formes and Style classique — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.
Challenge
Minuets Hob. IX:11
Franz Joseph Haydn
35/100 +16 pts 12-24 weeks
partial transfer high risk to confirm
An ambitious leap into Elementary (around grade 4 ABRSM/RCM) — only worth starting if the practice time is really there. New compared with the previous piece: Style classique and Connaissance des formes — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Challenge
Minuet in F major K.2
Wolfgang Amadeus Mozart
13/100 -6 pts 8-16 weeks
close skills low risk fair confidence
Next piece in the same collection, Beginner (around grade 1 ABRSM/RCM): the order its editor chose, a progression already tested. The skill that will carry the work: Rythme général — the pitfall is the pulse drifting as soon as the writing thickens: subdivide with the metronome.
Same level

To widen the repertoire without raising the level.

Same level
Minuet in D major, K.94
Wolfgang Amadeus Mozart
19/100 +1 pts 1-2 weeks
partial transfer low risk to confirm
Equivalent demands, still Beginner (around grade 2 ABRSM/RCM): what changes is the ground. What changes is the skill in play: Style classique and Connaissance des formes — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Same level
Mazurka Op.39 No.10
Pyotr Ilyich Tchaikovsky
20/100 +1 pts 1-2 weeks
partial transfer low risk to confirm
Equivalent demands, still Beginner (around grade 2 ABRSM/RCM): what changes is the ground. What changes is the skill in play: Rythmes pointés and Staccato — the pitfall is the pulse drifting as soon as the writing thickens: subdivide with the metronome.
Same level
Ecossaise in G WoO.23
Ludwig van Beethoven
17/100 -2 pts 1-2 weeks
partial transfer low risk to confirm
Equivalent demands, still Beginner (around grade 2 ABRSM/RCM): what changes is the ground. The demand here is musical rather than mechanical: Phrasé — the notes will be secure long before the musical line: work in whole phrases, singing the main voice.
Progressions computed from difficulty, skill overlap and style between works. A What do we play next? recommendation should remain a pedagogical starting point, not an automatic prescription.