What to play after Étude in C minor Op.10 No.12 (Revolutionary) ?
Frédéric Chopin · difficulty 74/100

Choose your level of commitment: consolidate, move up a tier or prepare a challenge. The top-ranked cards combine difficulty, risk, shared skills and confidence.

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Gentle step

The safest next step.

Gentle
Étude in C major Op.10 No.1
Frédéric Chopin
80/100 +6 pts 7-14 weeks
partial transfer low risk to confirm
A short step up, staying in Advanced (around grade 8 ABRSM/RCM). New compared with the previous piece: Grands accords et extensions — practise it slowly and hands separately before any attempt at tempo: that is where tension builds up.
Gentle
Etude 14a, for player piano, "Coloana färä stârsit"
György Ligeti
80/100 +6 pts 8-16 weeks
close skills low risk to confirm
A short step up — but it is the one that moves you into Great repertoire (diploma level, beyond grade 8). New compared with the previous piece: Doubles notes — practise it slowly and hands separately before any attempt at tempo: that is where tension builds up.
Gentle
Étude
Igor Stravinsky
80/100 +6 pts 8-16 weeks
partial transfer low risk to confirm
A short step up — but it is the one that moves you into Great repertoire (diploma level, beyond grade 8). New compared with the previous piece: Style moderne et contemporain and Trilles — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Gentle
Study no. 2: Andante moderato-Allegro molto, etude for piano
Charles Ives
77/100 +3 pts 7-14 weeks
partial transfer low risk to confirm
A short step up, staying in Advanced (around grade 8 ABRSM/RCM). New compared with the previous piece: Style moderne et contemporain and Doigté complexe — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Gentle
Étude in G-flat major Op.10 No.5 (Black Keys)
Frédéric Chopin
77/100 +3 pts 7-14 weeks
partial transfer low risk to confirm
A short step up, staying in Advanced (around grade 8 ABRSM/RCM). New compared with the previous piece: Staccato — practise it slowly and hands separately before any attempt at tempo: that is where tension builds up.
Same level

To widen the repertoire without raising the level.

Progressions computed from difficulty, skill overlap and style between works. A What do we play next? recommendation should remain a pedagogical starting point, not an automatic prescription.