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Play — Chopin: Polonaise in F minor Op. 71 no. 3 - - Peter Frankl, 1965 - VOX SVUX 52024 · davidhertzberg (the player loads on click)
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Play — Polonaise No. 9 in B-Flat Major, Op. 71 No. 2 · Frédéric Chopin, Vladimir Ashkenazy (the player loads on click)
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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
These Polonaises have a dancing yet dramatic character, alternating solemn march-like passages with more contrasting episodes that require confident attack and flexible expression. You will specifically face Tempo rubato (3.1/5): here that means controlled small fluctuations — tiny delays and advances of the melodic line while the left hand keeps the underlying pulse — and Sustain pedal (Pédale de sustain) (3.1/5): you must sustain and blend harmonies without blurring attacks, changing pedal cleanly at harmonic shifts. The pieces belong to the Romantic period and form part of Chopin’s set of polonaises, works that combine national character with intimate piano expression.