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Play — Bach: The Well-Tempered Clavier, Book II, BWV 870-893 [Barenboim] · Miguel Fontes Meira (the player loads on click)
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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This collection alternates preludes and fugues where the mood shifts between crystalline contrapuntal clarity and moments of lyrical sweep, requiring precise attack to let independent lines emerge. Technical: Polyphony for three voices or more (4.5/5) — you must project each voice with specific fingerings and hand redistribution to preserve line independence and balance; Harmonic analysis (4.5/5) — anticipating progressions and modulations informs choices of slight rubato, articulation and pedaling to clarify suspensions and resolutions. A major Baroque work in the composer's output, the second book systematically explores the tonal space and deepens his contrapuntal practice.