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Play — András Schiff - Bach. French Suite No.2 in C minor BWV813 · o_o (the player loads on click)
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Play — French Suite No. 2 in C minor, BWV 813: 5. Menuet · Johann Sebastian Bach, Vladimir Ashkenazy (the player loads on click)
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Public-domain sheet music on IMSLP ↗
Official level, taken from the exam syllabus.
Other syllabi : RCM Grade 7 · RCM Grade 7
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This French Suite No. 2 in C minor has a resolute, dance-like character with rhetorical rhythms and polyphonic dialogues that call for crisp articulation and clear inner voices. You will specifically face passages where Ornements baroque (4.1/5) require cleanly executed embellishments—short trills and mordents produced by a precise wrist motion and relaxed fingers—and Connaissance des formes (4.1/5) which requires observing repeats, dance punctuation and the overall movement structure to shape phrases appropriately. From the Baroque period, this suite belongs to Bach’s keyboard pieces that explore dance forms and instrumental polyphony within his suites. I do not provide a reference interpretation here out of caution about accurately matching recordings to this exact piece.