Mazurka op. 41 nr. 2
Mazurka Piano solo
In brief

This mazurka feels rustic and dance-like, with irregular accents that evoke a folk march rather than a steady waltz. Technically, watch the Polyrhythm 2 against 3 (2.5/5): here you must keep a ternary pulse in one hand against duplets in the other — concretely that means stabilizing the accompanying hand while the other articulates the cross-rhythms without rushing, practicing slowly with a metronome to internalize both layers. You should also attend to Dynamics (Nuances 2.5/5) by controlling wrist weight and graduated touch so the melody sings while the accompaniment remains light. The piece belongs among Chopin’s mazurkas, illustrating his intimate, stylized treatment of the folk dance form.

Listen to this work

These recordings are found automatically, and the machine still gets it wrong. One click from you — yes or no — fixes the catalogue for every musician who opens this page after you. Across our 10,000 works, your answer is our only real quality check.

An arrangement or transcription is fine: if you recognise the work, answer yes. Answer no if it is a different work, a different composer, or if the recording does not play.

  • Play — Arthur Rubinstein - Chopin Mazurka, Op. 41, No. 2 in E Minor · ArRubMusic (the player loads on click)

    Open on Youtube ↗

    Is this the right work?

No account is required and no personal data is collected.

MusicCoach difficulty
52/100
Intermediate
Likely range : 40–64/100
Confidence : 42% · to confirm
BeginnerIntermediateAdvancedVirtuoso
Exam grade
About grade 5 to 6

Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.

Difficulty estimate by MusicCoach on a scale of 1 to 100.

Where this work sits
050100

Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.

The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.

Does this rating look right to you?

This rating is computed automatically from heterogeneous sources. It gets things wrong, sometimes badly. If you know this work, your answer is worth more than our computation: it tells us which ratings to review.

Add a note (optional)

Your note is not published on the site: it is read in review.

Relative difficulty
24%
Among Frédéric Chopin
58%
Era
40%
Genre
Estimated skills
Style
Character and style
1
Technique
Hand independence
1
Interpretation
Dynamics
1
Rhythm
Polyrhythm 2 against 3
1
Rhythm
Dotted rhythms
1
Style
Romantic style
1
Rhythm
Tempo rubato
1
What to play next?

Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.

See the whole progression