Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This Chord Study has a crisp, percussive character where each chord functions as a rhythmic anchor rather than mere harmonic color, requiring tight attacks and clear releases. Technical focuses: Rythmes pointés (4.1/5) here requires strict metric precision and uneven durations executed with a steady wrist to render the long-short pattern without losing forward drive, and Indépendance des mains (4.1/5) forces the left hand to keep regular accompanying patterns while the right hand articulates displaced accents, demanding separate control of phrase shaping and finger weight. In context, it belongs to the composer’s output of pedagogical piano studies designed to target specific technical challenges rather than large-scale concert pieces. I do not provide a reference recording because I cannot be fully certain of a definitive interpretation for this exact piece.