Official level, taken from the exam syllabus.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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The safest next step.
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A useful leap with guided practice.
This Intermezzo in E major projects a meditative intimacy, with a contemplative melodic line set over a delicately mobile accompaniment that calls for restrained expression rather than display. Technically, pay attention to the Phrasing (2.5/5) — you will need to shape small phrases with very fine dynamic and timing inflections — and to Legato (2.5/5), which requires careful finger connections and controlled wrist release to keep the sound continuous between notes. The piece is one of the intermezzos gathered in Op.116, part of Brahms’s mature set of piano miniatures. I do not provide a reference interpretation here, being cautious about the accuracy of specific attributions.