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Play — Chopin Etude Op 10 No 9 F minor Rubinstein Rec 1959.wmv · Beckmesser2 (the player loads on click)
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Play — 12 Etudes, Op. 10: No. 9 in F Minor · Frédéric Chopin, Yunchan Lim (the player loads on click)
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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
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This F minor étude feels tense and incisive, alternating percussive figures with phrases that are restrained yet penetrating, calling for concentrated energy rather than broad lyrical gestures. Technically, you will need to focus on Indépendance des mains (4.4/5): keeping a clear musical line in one hand while the other provides contrasting, sometimes syncopated accompaniment, and on Passages rapides (4.0/5), which require fluid fingering and economical wrist motion to preserve clarity without stiffness. The piece belongs to Chopin's Études Op.10, which occupy a central place in his piano output by combining technical challenge with expressive depth. I do not provide a reference performance here because I prefer not to cite a name unless I am fully certain it corresponds specifically to this étude.