Official level, taken from the exam syllabus.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
Does this rating look right to you?
This rating is computed automatically from heterogeneous sources. It gets things wrong, sometimes badly. If you know this work, your answer is worth more than our computation: it tells us which ratings to review.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This Scherzo feels brisk and mischievous, built on quick leaps and sharp accents that create a compact dramatic thrust despite its short length. You will face, in particular, Rapid passages (4.1/5) requiring digital agility and tight coordination between the right and left hands to keep motifs clear, and Octaves (4.1/5) demanding arm control and precise hand placement to maintain an even tone without tension. The piece belongs to Beethoven’s smaller pedagogical and salon-type works, intended more for study and concise virtuosity than for grand concert display. I do not provide a reference performance because I am not 100% certain of a widely recognized recording for this specific piece.