The grade scale stops at 8; this work belongs to concert or diploma repertoire.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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The safest next step.
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This sonata projects a tense, mysterious character, with abrupt accents and chromatic climaxes that give a sense of dramatic urgency rather than straightforward lyrical expression. Among the challenges, the "Connaissance des formes" (3.6/5) requires shaping long-range formal curves to manage returns and transitions without losing the overall line, and the "Analyse harmonique" (3.6/5) requires following chromatic progressions and voice-redistributions that call for specific fingering adjustments and careful left/right balance. As a late-Romantic work by Scriabin, it occupies a place in his sonata output where the piano language becomes highly chromatic and exploratory. I do not provide a recommended recording because I am not 100% certain of a single widely recognized reference for this specific sonata.