The grade scale stops at 8; this work belongs to concert or diploma repertoire.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
Does this rating look right to you?
This rating is computed automatically from heterogeneous sources. It gets things wrong, sometimes badly. If you know this work, your answer is worth more than our computation: it tells us which ratings to review.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
No suggestion yet.
This Sonata No. 5 projects a blazing intensity and a tense, brilliant atmosphere, switching between jagged dissonant bursts and rapid lyrical passages that require sustained expressive energy. You will need to focus in particular on Harmonic analysis (3.6/5) — here that means mapping and anticipating chromatic progressions and unstable harmonic anchors to manage inner voices — and Sustain pedal (3.1/5), which requires careful timing of lift-and-depress gestures to preserve attack clarity without muddying the resonance. Composed in Scriabin's late Romantic period, the sonata represents a move toward his more chromatic and visionary piano language within his oeuvre. I do not provide a recommended recording here, as I am not fully confident naming a single definitive interpretation for this specific work.