Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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The safest next step.
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A useful leap with guided practice.
This G major sonata feels lively and playful, built from quick exchanges and regular phrase groupings that suggest a bright dance while requiring very clear articulation. The main technical challenges for you will be Connaissance des formes (3.6/5): you must clearly mark the binary sections and manage repeats and phrasing so the form remains audible despite the tempo, and Ornements baroque (3.1/5): you need to execute mordents and small embellishments cleanly, with precise, controlled finger movements. As a Baroque piece, it belongs to Scarlatti's large output of keyboard sonatas, typical for their concise forms and taste for virtuosic effects within short movements. I do not provide a specific reference interpretation here because I'm not completely certain of a single definitive recording for this sonata.