Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This C major sonata is jaunty yet luminous, alternating sprightly figurations with more lyrical episodes that demand crisp détaché articulation and a clear right hand in leaps. Among the technical challenges, the skill "Connaissance des formes (3.6/5)" requires que vous sachiez repérer les reprises et la structure binaire pour gérer les répètes et les nuances de phrase, et l' "Analyse harmonique (3.6/5)" impose de suivre les progressions pour anticiper les résolutions et ajuster le doigté et l'équilibre des voix. Étant une œuvre baroque de Scarlatti, elle s'inscrit dans son abondant corpus de sonates pour clavecin adaptées ici au piano, où la clarté contrapuntique et le sens de la danse baroque sont centraux. Je n'indique pas d'interprétation de référence car je ne suis pas certain à 100 % d'une édition ou d'un enregistrement précis à recommander.