Official level, taken from the exam syllabus.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
Does this rating look right to you?
This rating is computed automatically from heterogeneous sources. It gets things wrong, sometimes badly. If you know this work, your answer is worth more than our computation: it tells us which ratings to review.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This B minor sonata has a tense, incisive character: quick bursts alternating with more restrained moments, driven by leaps and echoing figures that call for crisp, precise articulation. Technically, Analysis harmonique (3.6/5) is important to track progressions and anticipate key changes so you can shape phrases, and Connaissance des formes (3.6/5) helps identify sections, repeats and cadences to manage tension and release — in practice you will need to anticipate cadences and adjust attack, note lengths and phrase breathing. The piece belongs to the Baroque period and is part of Scarlatti's large body of keyboard sonatas that explore both expressive nuance and instrumental virtuosity.