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Public-domain sheet music on IMSLP ↗
Official level, taken from the exam syllabus.
Other syllabi : Trinity_London Grade 8 · RCM Grade 9
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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One rarely plays the whole work: each movement has its own level — often very different from the opus's overall score.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This A minor sonata projects a dark, urgent mood, with stormy outbursts alternating with tense, more brittle ripostes rather than expansive lyricism. Technically you should focus first on Passages rapides (4.4/5), which require clean fingering and economical arm motion to keep articulation clear, and on Independence of the hands (4.4/5), where the left hand often sustains a steady rhythmic line while the right executes agile figures — work the dissociation of weight and the regularity of pulse. From the Classical period, this sonata occupies a distinctive place in Mozart’s piano output because of its minor key and dramatic character, standing apart from much of his lighter keyboard writing. I do not give specific reference recordings here because I am not fully certain I can name an interpreter universally accepted for this particular work without risk of error.