The grade scale stops at 8; this work belongs to concert or diploma repertoire.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This Réminiscence from Lucrezia Borgia projects a dramatic virtuosic mood, alternating forceful outbursts with lyrical, singing passages that require sustained theatrical intensity. Technically, pay special attention to the Tempo rubato (3.1/5), which here requires flexible shaping of the line — slightly stretching phrases without breaking the forward drive — and to the Sustain pedal (Pédale de sustain, 3.1/5) to achieve rich harmonic connections without blur, demanding precise, anticipatory pedal changes. The piece belongs squarely to the Romantic period and is one of Liszt’s many opera transcriptions and paraphrases that serve as showpieces in his output. I do not give a specific recording recommendation here out of caution, but I can suggest renowned interpretations if you want me to.