The grade scale stops at 8; this work belongs to concert or diploma repertoire.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Mazeppa opens with a wild, galloping energy: you feel furious riding passages alternating with more dramatic, almost orchestral episodes, requiring a constant forward drive despite frequent breaks. Technically, you will need to work on Tempo rubato (3.1/5) by managing slight timing flexibilities between the hands — the practical gesture is to push or pull brief phrases while preserving the overall gallop — and on Sustain pedal (3.1/5) to keep wide chords and arpeggios resonant and clear without blurring the counterlines. The piece sits within Liszt's Romantic piano output as a major virtuosic showpiece emphasizing dramatic, programmatic effect.