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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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The safest next step.
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A useful leap with guided practice.
This Liszt salon piece blends dazzling virtuosity with singing moments, alternating flashes of technical display and lyrical passages that require expressive presence even in fast runs. Technique: you will face Passages rapides (4.0/5) that demand clean finger articulation and weight control to shape small figures without sacrificing speed, and Gammes et arpèges (4.0/5) requiring fluid wrist movement and economy of motion to keep clarity and evenness across the keyboard. Composed in the Romantic period, this study-for-perfection sits within Liszt's set of salon pieces and études aimed at advancing pianistic virtuosity while remaining suitable for intimate performance. (No specific, confidently identified reference recording is provided.)