Repertoire › 12 Variations on "Ein Mädchen oder Weibchen" from Mozart's "Zauberflöte" F major op. 66 › What to play next
What to play after 12 Variations on "Ein Mädchen oder Weibchen" from Mozart's "Zauberflöte" F major op. 66 ?
Ludwig van Beethoven · difficulty 50/100

Choose your level of commitment: consolidate, move up a tier or prepare a challenge. The top-ranked cards combine difficulty, risk, shared skills and confidence.

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Gentle step

The safest next step.

Gentle
Romance lyrique, for cello and piano
Zoltán Kodály
53/100 +3 pts 5-10 weeks
new reflexes low risk to confirm
A short step up, staying in Intermediate (around grade 6 ABRSM/RCM). New compared with the previous piece: Legato d'archet (violoncelle) and Vibrato (violoncelle) — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.
Gentle
Cello Sonata in A, "L'Imperatrice"
Luigi Boccherini
53/100 +3 pts 5-10 weeks
new reflexes low risk to confirm
A short step up, staying in Intermediate (around grade 6 ABRSM/RCM). New compared with the previous piece: Vibrato (violoncelle) and Connaissance des formes — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.
Gentle
Cello Sonata No. 1
Ludwig van Beethoven
57/100 +7 pts 5-10 weeks
new reflexes low risk to confirm
A short step up, staying in Intermediate (around grade 6 ABRSM/RCM). New compared with the previous piece: Style classique — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Gentle
Cello Sonata in B flat major, G.565
Luigi Boccherini
53/100 +3 pts 5-10 weeks
new reflexes low risk to confirm
A short step up, staying in Intermediate (around grade 6 ABRSM/RCM). New compared with the previous piece: Vibrato (violoncelle) and Connaissance des formes — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.
Balanced step

A genuine step up, without a jolt.

Balanced
Cello Sonata no. 2 in F major, op. 123
Camille Saint-Saëns
61/100 +11 pts 12-24 weeks
new reflexes moderate risk to confirm
A real step up, staying in Intermediate (around grade 7 ABRSM/RCM). New compared with the previous piece: Vibrato (violoncelle) and Connaissance des formes — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.
Balanced
Suite (Skordatur) c minor BWV 1011
Eugene Ysaÿe
61/100 +11 pts 12-24 weeks
new reflexes moderate risk to confirm
A real step up, staying in Intermediate (around grade 7 ABRSM/RCM). New compared with the previous piece: Doigté complexe and Style baroque — settle and write in both fingering and bowings at first reading: changing them later costs weeks.
Balanced
Cello Sonata no. 2 in G minor, op. 5 no. 2
Ludwig van Beethoven
61/100 +11 pts 12-24 weeks
new reflexes moderate risk to confirm
A real step up, staying in Intermediate (around grade 7 ABRSM/RCM). New compared with the previous piece: Vibrato (violoncelle) and Connaissance des formes — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.
Balanced
Cello Sonata no. 1 in F major, op. 5 no. 1
Ludwig van Beethoven
60/100 +10 pts 12-24 weeks
new reflexes moderate risk to confirm
A real step up, staying in Intermediate (around grade 6 ABRSM/RCM). New compared with the previous piece: Vibrato (violoncelle) and Connaissance des formes — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.
Ambitious challenge

A useful leap with guided practice.

Challenge
Cello Sonata in F major, op. 6, TrV115
Richard Strauss
70/100 +20 pts 24-48 weeks
new reflexes high risk to confirm
An ambitious leap into Advanced (around grade 7 ABRSM/RCM) — only worth starting if the practice time is really there. New compared with the previous piece: Vibrato (violoncelle) and Connaissance des formes — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.
Challenge
Cello Sonata in E-flat major, op. 64: I. Allegro con brio
Ludwig van Beethoven
66/100 +16 pts 24-48 weeks
new reflexes high risk to confirm
An ambitious leap into Advanced (around grade 7 ABRSM/RCM) — only worth starting if the practice time is really there. New compared with the previous piece: Analyse harmonique and Vibrato (violoncelle) — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.
Challenge
Cello Sonata no. 3 in A major, op. 69
Ludwig van Beethoven
73/100 +23 pts 28-56 weeks
new reflexes high risk to confirm
Next piece in the same collection, Advanced (around grade 8 ABRSM/RCM): the order its editor chose, a progression already tested. New compared with the previous piece: Connaissance des formes and Vibrato (violoncelle) — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.
Same level

To widen the repertoire without raising the level.

Same level
Suite d minor BWV 1008
Eugene Ysaÿe
47/100 -3 pts 3-4 weeks
new reflexes low risk to confirm
Equivalent demands, still Intermediate (around grade 5 ABRSM/RCM): what changes is the ground. What changes is the skill in play: Style baroque and Polyphonie à deux voix — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Same level
Suite C major BWV 1009
Eugene Ysaÿe
47/100 -3 pts 3-4 weeks
new reflexes low risk to confirm
Equivalent demands, still Intermediate (around grade 5 ABRSM/RCM): what changes is the ground. What changes is the skill in play: Style baroque and Polyphonie à deux voix — the notes are not enough: articulation and ornaments follow performance conventions best checked in an urtext edition.
Progressions computed from difficulty, skill overlap and style between works. A What do we play next? recommendation should remain a pedagogical starting point, not an automatic prescription.