Que jouer après Rondo for Violin and Piano in G major, WoO…

Choose your level of commitment: consolidate, move up a tier or prepare a challenge. The top-ranked cards combine difficulty, risk, shared skills and confidence.

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Gentle step

The safest next step.

Gentle

Berceuse sur le nom de Gabriel Fauré, for violin and piano

Maurice Ravel

43/100 +5 pts 4-8 weeks

partial transfer low risk to confirm

A short step up, staying in Elementary (around grade 5 ABRSM/RCM). New compared with the previous piece: Legato d'archet and Voix chantante — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.

Gentle

4 Romantic Pieces, for violin and piano, op. 75

Antonín Dvořák

44/100 +6 pts 4-8 weeks

partial transfer low risk to confirm

A short step up, staying in Elementary (around grade 5 ABRSM/RCM). New compared with the previous piece: Legato d'archet and Vibrato — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.

Gentle

Mazurka, for violin and piano

Edward Elgar

42/100 +4 pts 4-8 weeks

partial transfer low risk to confirm

A short step up, staying in Elementary (around grade 5 ABRSM/RCM). New compared with the previous piece: Détaché and Rythme d'archet complexe — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.

Gentle

Berceuse in B flat major, for violin and piano, op. 38

Camille Saint-Saëns

45/100 +7 pts 4-8 weeks

partial transfer low risk to confirm

A short step up — but it is the one that moves you into Intermediate (around grade 5 ABRSM/RCM). New compared with the previous piece: Legato d'archet and Voix chantante — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.

Gentle

Violin Concerto in A major, P.49

Ottorino Respighi

45/100 +7 pts 4-8 weeks

partial transfer low risk to confirm

A short step up — but it is the one that moves you into Intermediate (around grade 5 ABRSM/RCM). The demand here is musical rather than mechanical: Pédale de sustain — the pedal is set by ear, note by note: misjudged, it blurs the harmony instead of joining it.

Balanced step

A genuine step up, without a jolt.

Balanced

Movement for Violin and Piano in G minor

Felix Mendelssohn

50/100 +12 pts 10-20 weeks

close skills moderate risk to confirm

A real step up: this piece moves you into Intermediate (around grade 6 ABRSM/RCM). The skill that will carry the work: Vibrato and Changements de position — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.

Balanced

Andante for Violin and Piano in B flat major, op. 75

Gabriel Fauré

50/100 +12 pts 10-20 weeks

close skills moderate risk to confirm

A real step up: this piece moves you into Intermediate (around grade 6 ABRSM/RCM). New compared with the previous piece: Voix chantante and Legato d'archet — the notes will be secure long before the musical line: work in whole phrases, singing the main voice.

Balanced

Violin Sonata D major op. 12,1

Ludwig van Beethoven

51/100 +13 pts 10-20 weeks

partial transfer moderate risk to confirm

A real step up: this piece moves you into Intermediate (around grade 6 ABRSM/RCM). New compared with the previous piece: Legato d'archet and Style classique — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.

Balanced

Amusement in F major, for violin and piano, op. 108, "Sonatine"

Johann Nepomuk Hummel

47/100 +8 pts 8-16 weeks

close skills moderate risk to confirm

A real step up: this piece moves you into Intermediate (around grade 5 ABRSM/RCM). New compared with the previous piece: Connaissance des formes and Style classique — understand the form and the harmony before memorising, or memory collapses the moment you play for someone.

Ambitious challenge

A useful leap with guided practice.

Challenge

Violin Sonata no. 1 in D major, op. 12 no. 1

Ludwig van Beethoven

59/100 +20 pts 20-40 weeks

close skills high risk to confirm

An ambitious leap into Intermediate (around grade 6 ABRSM/RCM) — only worth starting if the practice time is really there. New compared with the previous piece: Legato d'archet and Connaissance des formes — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.

Challenge

Adagio and Rondo alla Polacca, for violin and orchestra

Johann Nepomuk Hummel

60/100 +22 pts 24-48 weeks

partial transfer high risk to confirm

An ambitious leap into Intermediate (around grade 6 ABRSM/RCM) — only worth starting if the practice time is really there. New compared with the previous piece: Contrôle du toucher — what matters is a steady sustained tone: bow speed, contact point and pressure even, before any thought of speed.

Same level

To widen the repertoire without raising the level.

Same level

Berceuse, for violin and piano, op. 16

Gabriel Fauré

37/100 -1 pts 2-3 weeks

partial transfer low risk to confirm

Equivalent demands, still Elementary (around grade 4 ABRSM/RCM): what changes is the ground. What changes is the skill in play: Legato d'archet and Voix chantante — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.

Same level

Berceuse - Petite reine, for violin and piano

Edward Elgar

37/100 -1 pts 2-3 weeks

partial transfer low risk to confirm

Same level

Movement for Violin and Orchestra in C major, WoO 5

Ludwig van Beethoven

40/100 +2 pts 3-4 weeks

partial transfer low risk to confirm

Equivalent demands, still Elementary (around grade 4 ABRSM/RCM): what changes is the ground. The skill that will carry the work: Technique générale — practise it slowly, separating left hand from bow: bow alone on open strings, then the fingering silently.

Progressions computed from difficulty, skill overlap and style between works. A What do we play next? recommendation should remain a pedagogical starting point, not an automatic prescription.