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Play — JS Bach: English Suite No. 2 in A Minor BWV 807 - Martha Argerich, 1979 - DG 2531 088 · davidhertzberg (the player loads on click)
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Play — English Suite No. 2 in A Minor, BWV 807: II. Allemande · Johann Sebastian Bach, András Schiff (the player loads on click)
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Public-domain sheet music on IMSLP ↗
Official level, taken from the exam syllabus.
Other syllabi : AMEB Grade 8
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This rating is computed automatically from heterogeneous sources. It gets things wrong, sometimes badly. If you know this work, your answer is worth more than our computation: it tells us which ratings to review.
One rarely plays the whole work. We do not yet have a level specific to each of these movements: they carry the opus's level, which does not say which one is the most approachable.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
The piece projects a mix of brisk, slightly austere energy and ornamented phrases where tightly woven motifs create a sense of driven walking rather than mere decorative dance. You will specifically face the Passages rapides (4.4/5), which require digital dexterity and consistent fingering to keep polyphonic lines clear, and the Ornements baroque (4.1/5), which call for very precise attacks and subtle wrist inflections so trills and mordents breathe without clouding the voices. From the Baroque period, this suite belongs among Bach's major keyboard works, exploring the suite form and the contrapuntal, dance-based practices of his keyboard output.