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Play — J.S. Bach - BWV 719 - Der Tag, der ist so freudenreich · toxiconegro (the player loads on click)
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Play — Bach, JS: Der Tag, der ist so freudenreich, BWV 719 · Johann Sebastian Bach, Ton Koopman (the player loads on click)
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Public-domain sheet music on IMSLP ↗
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
The piece feels like a radiant, measured chorale with a singing top line ornamented by brief decorated figures over a steady harmonic bass, conveying a joyful but composed daylight mood rather than exuberant display. Technically, the Baroque Ornaments (3.1/5) require crisp, brief appoggiaturas and small trills with precise finger releases, and the Bass-clef reading (3.1/5) requires secure reading in the lower staff with an independent left hand and quick position shifts to preserve harmonic continuity. It belongs to the Baroque period and fits the kind of chorale settings Bach composed for liturgical use, part of his body of work arranging and harmonizing ecclesiastical melodies.