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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This Mazurka in D major feels dance-like yet intimate, alternating rustic bursts of energy with chamber-like melodic turns that require lightness and suppleness. The main technical challenges here are Tempo rubato (4.3/5), which calls for subtle pulse modulation through slight compressions and releases of the right hand to keep momentum without breaking the bar, and Pointed rhythms (Rythmes pointés) (4.3/5), which demand very clear articulation of unequal values — precise fingering and coordinated control between the hands to maintain the mazurka’s characteristic accents. The piece belongs to the Romantic period and is part of Chopin’s mazurka output, where he adapts Polish dance elements into refined piano miniatures.