Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This rating is computed automatically from heterogeneous sources. It gets things wrong, sometimes badly. If you know this work, your answer is worth more than our computation: it tells us which ratings to review.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
The piece projects a cool, forensic clarity, where silences and dry attacks form a nearly mechanical dialogue between two registers of the keyboard. On the technical side, the main challenges are Rythme général (2.5/5), which here requires a steady internal pulse and fine subdivision to keep the independent lines aligned, and Phrasé (2.5/5), which forces you to shape short melodic segments like small breaths despite contrapuntal density; the Nuances (2.5/5) skill will require refined touch control to achieve subtle dynamic contrasts without blurring attack definition. According to the provided information, this work belongs to Babbitt's piano repertoire and sits within his output of contemporary pieces focused on contrapuntal texture and precision. I am not giving a specific reference recording, as I am not sufficiently certain of a widely recognized interpretation for this particular piece.