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Cello and piano · 2 performers
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
Andacht, Op.114 has a contemplative, reserved character, built largely on long singing lines in the cello that require focus on the continuity of the musical thought. On the technical side you will need to work especially on Phrasé (4.0/5), shaping phrases with clear direction, internal breaths and focal points so each expressive arc stays coherent, and on Legato d'archet (violoncelle) (3.5/5), which requires precise control of bow speed and pressure at changes of direction to keep a seamless connection. The exact period of composition is not clearly established in the provided sources, but the piece appears as Op.114 in the composer's catalogue and belongs to his chamber repertoire for cello and piano.