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Play — Schubert - Arpeggione Sonata D 821 / Presentation + New Mastering (Ct. rec.: Rostropovich / Britten) · Classical Music/ /Reference Recording (the player loads on click)
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Public-domain sheet music on IMSLP ↗
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This rating is computed automatically from heterogeneous sources. It gets things wrong, sometimes badly. If you know this work, your answer is worth more than our computation: it tells us which ratings to review.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
The piece presents a singing clarity alternating with rolled accompaniment figures that require maintaining a steady pulse while letting the main line sing. For this student, pay attention especially to Scales and arpeggios (2.5/5) — here you must distribute arpeggios across the fingers to keep the right hand supple and the accompaniment legato — and Fast passages (2.5/5), which demand precise fingerwork and economy of motion to remain clean without tensing. It is a sonata by Schubert that is commonly placed in his chamber-music repertoire and frequently adapted for modern instruments rather than standing apart in the catalogue. I do not list reference performances because I am not fully certain of a single widely recognized recording for this exact piece.