Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This E minor sonata has a tense, contrapuntal character, shifting between brisk, accented motifs and darker episodes that require crisp articulation to bring out rhythmic drive. You will specifically face the skill « Connaissance des formes (3.6/5) »: you must identify the sonata structure (exposition, development, recapitulation) to handle repeats and thematic transitions, and « Nuances (2.5/5) »: this calls for precise touch and dynamic control to shape phrases without exaggeration. From the Classical period, the piece sits within Haydn's piano sonata output and reflects his taste for formal clarity and contrast. I do not provide a recommended recording here so as to remain strictly certain about specific attributions.