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Play — Choral Wer nur den lieben Gott läßt walten J.S.Bach BWV 691 · Konrad Roman Salwa (the player loads on click)
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Play — Choral "Wer nur den lieben Gott läßt walten" in A Minor, BWV 691 · Johann Sebastian Bach, Olivier Baumont, Aurelien Delage, Christine Plubeau (the player loads on click)
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Public-domain sheet music on IMSLP ↗
Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This rating is computed automatically from heterogeneous sources. It gets things wrong, sometimes badly. If you know this work, your answer is worth more than our computation: it tells us which ratings to review.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
The character is calm and pastoral, a simple melody supported by clear harmonies that calls for a steady, singing rendering rather than showy virtuosity. Technically, you will mainly work on Legato (2.5/5), which here means preserving voice continuity across hand shifts and chordal breaks, and Phrasing (2.5/5), which requires shaping long vocal lines within a homophonic texture to maintain musical forward motion. This is a chorale within Bach's body of chorale harmonizations, so it belongs to his liturgical-style settings where clarity of line and faithfulness to the musical text are essential. I do not give a reference interpretation because I am not fully certain of a single widely recognized recording for this specific piece.