The grade scale stops at 8; this work belongs to concert or diploma repertoire.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This Hungarian Rhapsody projects an urban carnival mood that alternates between jaunty bravado and sly lyricism, with fanfare-like outbursts and returning melodic episodes evoking Pest’s festive streets. You will specifically face Ornaments romantiques (2.5/5) — here those small Romantic embellishments require a flexible wrist and precise placement so they sing without interrupting the line — and Passages rapides (2.5/5), which call for relaxed finger substitution and coordinated arm movement to keep rapid runs even and brilliant. The piece is part of Liszt’s set of Hungarian Rhapsodies, a virtuosic exploration of Hungarian-inspired themes within his Romantic output. I do not give a reference interpretation here, as I am not fully certain of a single recording to recommend for this exact work.