Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This B-flat sonata has a lively yet poised character, alternating singing phrases with more rhythmic passages that call for clarity of articulation rather than Romantic emphasis. You will specifically face Control of touch (2.5/5), here to balance quickly the dynamics between concurrent lines so the accompaniment does not overpower the melody, and Legato (2.5/5), which requires smooth connections between notes to keep the melodic flow steady without dragging the tempo. The piece belongs to Handel's body of keyboard sonatas and sits within the Baroque keyboard repertoire where melody and accompaniment are in constant dialogue. I do not give a recommended recording because I am not fully certain of a single, clearly established reference for this particular sonata.