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Play — SCHUBERT Piano Sonata No. 13 in A major (Op. 120 / D.664) Score · Schwammerl (the player loads on click)
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Play — Schubert: Piano Sonata No. 20 in A Major, D. 959: II. Andantino · Franz Schubert, Elisabeth Leonskaja (the player loads on click)
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Official level, taken from the exam syllabus.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
Does this rating look right to you?
This rating is computed automatically from heterogeneous sources. It gets things wrong, sometimes badly. If you know this work, your answer is worth more than our computation: it tells us which ratings to review.
One rarely plays the whole work: each movement has its own level — often very different from the opus's overall score.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
The work has a luminous, pastoral intimacy: singing themes alternate with clear breaths and sprightly episodes that call for sustained softness. Technically you will face especially Legato (4.4/5), which requires maintaining a vocal line through finger connections and controlled support to avoid breaks, and Nuances (4.4/5), which demand subtle touch shading to bring out inner voices without hardening the attack. The sonata belongs to the Romantic period and occupies a place as a relatively concise, lyrical piece in Schubert's output, often seen as an example of his taste for simple, expressive melody. I do not provide a reference recording here, out of caution since I cannot guarantee the accuracy of a specific performer name.