Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This Consolation in D-flat major has an intimate, lyrical character, typically built around a singing right hand over a muted accompaniment that calls for restrained tenderness rather than showy effects. Technically, the main challenges for you will be legato (2.5/5), which requires sliding finger connections and independent finger control to maintain a seamless vocal line, and phrasing (2.5/5), which asks you to shape each phrase with slight adjustments of attack and support in the right hand rather than abrupt dynamic shifts. The piece belongs to Liszt’s lyrical piano miniatures for solo piano, works that explore pianistic singing and harmonic color within a compact form. I’m not giving a recording recommendation here because I prefer not to cite a specific interpretation unless I’m completely certain of it.