Official level, taken from the exam syllabus.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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The safest next step.
A genuine step up, without a jolt.
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This Consolation has an intimate, nocturne-like character, built from singing lines immersed in delicate chords rather than showy virtuosity. You will need to focus on Tempo rubato (3.1/5) — here the practical gesture is to shape very small timing fluctuations so the melodic line breathes without breaking the harmonic framework — and the Pédale de sustain (3.1/5), which requires precise, often partial pedal changes to connect resonance without muddying inner voices. The piece belongs to the Romantic period and shows, within Liszt's output, a more introspective and lyrical side of his piano writing. I am not giving a reference interpretation because I cannot confidently cite a specific recording for this work.