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Play — Barenboim: Frederic Chopin - Valse in E minor Op. Posth. · EuroArtsChannel (the player loads on click)
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Play — Waltz in A Minor, B. 150 · Frédéric Chopin, Jin Ah Kwon (the player loads on click)
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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This E minor waltz alternates a nostalgic and sprightly character, with the right hand tracing a dance-like line that can suddenly take on a more intimate shade. Technically, you will face specific challenges in Nuances (2.5/5) — requiring fine dynamic shaping over short phrases to give the melody its contours — and in Legato (2.5/5) — needing precise fingering and hand control to maintain connection through leaps; Demi-pédale (2.5/5) also matters here, using slight pedal releases and reapplications to blend harmonies without blurring the texture. It belongs to Chopin’s body of piano waltzes and exemplifies his ability to combine dancing elegance with quieter, introspective moments.