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Play — Arthur Rubinstein - Chopin Mazurka, Op. 67, No. 2 in G Minor · ArRubMusic (the player loads on click)
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Play — Mazurka No. 43 in G Minor, Op. 67 No. 2. Cantabile · Frédéric Chopin, Vladimir Ashkenazy (the player loads on click)
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Estimated from our difficulty score, not taken from an exam syllabus. Checked against 333 works on the ABRSM syllabus: the exact grade is right 7 times out of 10, and within one grade 99 times out of 100.
Difficulty estimate by MusicCoach on a scale of 1 to 100.
Most works cluster between 45 and 65: a small score gap often marks a real step. The highlighted bar shows this work among those for the same instrument.
The MusicCoach difficulty measures a work's overall demands (technique, reading, stamina) on a shared 0-100 scale, consolidated from editorial and pedagogical reference points (Henle, exam syllabuses, curation) and our own analyses. It measures neither musical value nor the practice time YOU will need: two musicians of the same level can experience the same work very differently depending on their strengths (hands used to octaves, quick sight-reading…). The confidence reflects how many reference points sit behind the score and how well they agree — a lightly documented score is flagged “to validate”. For a truly personal bearing, the diagnostic and your space compare each work to YOUR estimated level, which the score alone cannot do.
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This rating is computed automatically from heterogeneous sources. It gets things wrong, sometimes badly. If you know this work, your answer is worth more than our computation: it tells us which ratings to review.
Each suggestion combines difficulty gap, risk, confidence and skill overlap. The first two cards in each column are the most useful pedagogically.
The safest next step.
A genuine step up, without a jolt.
A useful leap with guided practice.
This mazurka has a rustic, restrained dance character, with short accents that suggest a measured gaiety rather than showy virtuosity. The main technical challenges lie in phrasing (2.5/5) and nuances (2.5/5): you will need to shape short dance-like phrases by placing small impulses at phrase beginnings and precise releases, and manage subtle dynamic gradations using arm weight and finger articulation to keep the texture clear without hardening the accompaniment. It belongs to Chopin's Mazurkas op. 67 in his catalogue, a set of piano dances within his output. I do not give a performance recommendation here because I am not sufficiently certain of a specific, authoritative recording for this exact piece.